
Davida Holmes: Quality Filth
2009 would not have been 2009 without the debut of Davida Holmes. From her bombastic vagina anthem
The Power of the Pussy to her raunchy album,
My Body Is Raw, Ms. Holmes never seemed to stop causing a buzz in the world of internet music. What started as a simple livejournal blog and twitter page soon escalated into one of the largest music followings of the last few years.
In the wake of her popularity, Davida Holmes has not only garnered the praise of fans, but also the attention of critics who have praised her fresh sound, but have not exactly embraced her filthy lyrics. We speak to Davida about her lyrics, music, inspirations, and more.
Pitchfork: Your critics all seem to agree. They're calling you the new face of rock music, but with one flaw--your lyrics. One critic described them as "overtly sexual". Do you plan on changing your lyrical style in the future to please the musical gods? Do you even care?
Davida Holmes: First off, I'm more offended by being called a rock artist than I am at being called a bad lyricist. Yes, the music on my album utilizes electric guitar,bass, drums, and keyboard instruments and the hard-rock psychedelic bands of the 60s was a heavy influence, but it's not the only thing I do. The industry is so quick to label people and put them in genres, you know? Music should be a joining factor, not a dividing one. As for my lyrics, who gives a f***? I write about my pussy because it's what I know best. There is no better story teller than your own body. It encapsulates our pains and pleasures. Sure, sex isn't a new territory. But my aim isn't to alienate people. I want my friends and listeners to feel me when I write. I'm not changing my style for a while.
PItchfork: Who are your musical influences? Do you make it an aim to have the artists that influenced you come through in your music?
DH: My earliest influences were my parents. They were both musicians. My mother was part of a swamp pop duo and my father was in a ska band, so I was surrounded by music. Plus I grew up in in Louisiana, so Jazz was a big part of my youth. You couldn't walk anywhere without hearing old Jelly Roll Morton or James P. Johnson records. Then I moved to New York in my teens and I discovered just about everyone. I was really into Nina Simone and Janis Joplin for a while. I listened to F. Mercury, Led Zeppelin, Elvis... Everything really. I try not to be a music snob. Right now I'm listening to Britney's new album, Roisin Murphy, and old N-Sync [laughs]. If I make music that reminds you of another artist, it's unintentional. These artist have nourished me with their music for so long. Having my influences shine through a few of my tracks is inevitable.
Pitchfork: You've been doing a lot of touring lately. What's been your favorite experience so far?
DH: The Bonnaroo Music Festival two moths ago. It was the first concert of that size I've ever done. And my girl Karen O was there, too.
Pitchfork: You did some songs together.
DH: Yeah.
Power Of The Pussy and
Heads Will Roll. Pitchfork: If I remember correctly, it got pretty intense.
DH: A wardrobe malfunction or two [laughs]. But it's all good.
Pitchfork: You had tons of fans on your livejournal and twitter before you were signed to One Little Indian Records. Now that you're everywhere, you're not a little secret anymore. How have your fans responded to your new found fame?
DH: They've been really supportive, actually. It's hard to have something precious of yours exposed to the whole world. It's like discovering an artist one day and telling all of your friends. They say "Ah, this is terrible. Take that s*** off". And then MTV or something does one little piece on you and those same friends ask you, "Hey, have you heard of so-and-so?" It's a big kick in the balls, but that's how it goes. My old fans haven't abandoned me or anything.
Pitchfork: The cover to your album... David LaChapelle did it. Did you personally ask him? How did that come about?
DH: I got a call from him one day asking to do the cover for my album. He said he was a fan of my music and would love to do it as a gift to me. I've seen his work before. Who hasn't? Of course I jumped at the offer.
Pitchfork: What are your plans for the next album?
DH: I'm not breaking any new grounds lyrically [laughs], that's a given. But I'm really excited for everyone to hear where I'm going musically. I've been listening to Britney Spears, Roisin Murphy, and Ladytron lately, so I'm really digging that sound now. It's going to be a bit more poppy. I'm trying to do something both electronic and organic. You'll definitely hear my Jazz roots and there's lots of percussion. It's gonna be good--I can't even tell you. I want my music to say something different, even if my lyrics aren't. I just want to be as creative as possible without coming off as contrived.